Amazon.com
An album like this could cement Sarah McLachlan as a middle-of-the-road crooner ready for the Andy Williams Christmas Show, but there’s more beneath the surface of Wintersong than just Christmas chestnuts, over-roasting on an open fire. Longtime McLachlan producer Pierre Marchand blurs the borders with ambient sound effects, distorted guitars, and subtle echoes. He adds a Mark Isham-esque muted trumpet solo emerging out of reverse echoes on “I’ll Be Home for Christmas” as if viewing the song through a distorted mirror. Violins that sound like they’re being blown through a Leslie speaker combine unpredictably with a banjo on “O Little Town of Bethlehem.” And on the seventh song, McLachlan finally kicks the album into another gear, turning “The First Noël” into a storming entreaty backed by tribal drums and surging low strings. Her voice is like the serene angel amidst the raging storm. I wish McLachlan had taken more chances like this, instead of the subtle fra (more…)